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Archive for April, 2009

“Why Coachella Ought to be Deemed a Religious Experience” by Liz Crosby

April 30th, 2009 Liz No comments

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Throughout Coachella 2009, I kept seeing subtle things (and not so subtle things) alluding to the power of music.  Eventually, it became overwhelming how many beautiful moments were amassing in my short term memory.  I decided that I had to record them using the median with which I am most capable manipulating, the English language.  Some things witnessed were altogether reminiscent of religion, in particular Christianity.

1.  The checkpoint that all fans had to pass through before entering reminded me of dipping one’s hand in the bowl of water to bless one’s self before entering into a church.  Just as that is meant to be a spiritual cleansing before entry into the church; we also had to be cleansed of weed, alcohol, and whatever else we might attempt to bring into the stage area.  They weren’t very good at checking.

2.  The majority of people – or at least the die hard fans – walked from concert to concert barefoot for the most part.  It is common for religious devotees to take off their shoes before entering a religious place.  For instance, Moses took off his shoes before approaching the burning bush.  It is also customary to take one’s shoes off before entering a Hindu temple.

3.  During the Paul McCartney concert, a woman was holding up a towel with John Lennon’s face on it.  Paul pointed to it, and the cameramen quickly captured the image for all to see.  Need I say what this is reminiscent of?  In case you’re a little hazy on your “Stations of the Cross,” I’m referring to the station in which the woman wipes Jesus’ face with a towel only to come away with an image of his face on her towel.  I suppose John Lennon was onto something when he said that he was bigger than Jesus.

4.  At People Under The Stairs, fans were so fervently waving their hands in the air with the beat of the song that it reminded me of a Southern Baptist Church times 100 maybe.

5.  People were getting immensely dehydrated at the Lykke Li concert, so she took a water bottle and sprayed people with it.  It looked like she was blessing her fans with water just as a priest may do occasionally as he descends the aisle.

6.  At the end of the Girl Talk concert, a blow up raft for a pool emerged from somewhere and the DJ was on top of it.  He stood atop of it as all of the fans supported it with their reaching arms.  He was legitimately crowd surfing.  I felt like a water molecule in a stream or something, and he was walking on us.  The connotation is abundantly clear now, I’m sure.  He was walking on water like Jesus.

7. Speaking of Jesus’ miracles, many of my friends possessed the power to change water, not into wine, but into vodka.  We carried it around with us wherever we went in our water bottles.

8. Just as mass has its Eucharist, which consists of the body of Christ and the blood of Christ, so too did any given concert have it’s own distorted version of a Eucharist.  Except, instead of consuming a crappy wafer and some cheap wine, we consumed weed, vodka, e, etc.

Perhaps this experience that is Coachella seems so similar to Christianity because it is essentially living life to its fullest extent.  It’s the same concept as religion as it originated.  A bunch of people amassing around someone with a message is what it’s all about.  Each one of those artists has a message to tell humanity and a parish to sing it to who will inevitably sing it back just as a parish community might sing hymns.  In a way, each artist is emitting out into the universe a philosophy regarding how to live life.  Which philosophy do you adhere to?

“A Ghost to Most” april 28 by Christine Boyich

April 28th, 2009 Christine No comments

arrested – cof cof
vampire – pink mountaintops
evil – beads
drugs in my body – thieves like us
cancel on me – bombay bicycle club
rich doors – new villager
i wanna kill – crocodiles
vacationing people – foreign born
i want to be your girlfriend – bachelorette
candy cigarette – boy in static
marie claire – floating action

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“Rock n Roll Means Well” april 28 by Christine Boyich

April 28th, 2009 Christine No comments

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4/27/09

psychotic girl – the black keys
3 dimes down – drive-by truckers
bitch, i love you – black joe lewis & the honeybears
chillout tent – the hold steady
she’s got a hold on me – hacienda 
the sky is crying – stevie ray vaughan
why don’t we do it in the road – the beatles
hound dog – big mama thorton
last night in town – lucero

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Rebel Rebel Radio 2: Best of Coachella 2009

April 28th, 2009 RebelRebel No comments

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A 30 minute continuous mix with the music that inspired so many jumps, claps, and fist pumps in the neon-glowing alternate dimension that was Coachella 2009.

1. The Bloody Beetroots – Cornelius
2. Late of The Pier – Space and the Woods (Switch Remix)
3. Friendly Fires – Photobooth
4. Yeah Yeah Yeah’s – Heads Will Roll
5. Ghostland Observatory – Sad Sad City
6. The Presets – My People
7. MSTRKRFT – It Ain’t Love (Bird Peterson Remix / JFK Edit)
8. Crookers – My Penny
9. Ayumi Hamasaki – Grateful Days (Para One Remix)
10. Late of the Pier – Focker (Boys Noize Remix)
11. Plump Djs – System Addict
12. Gui Boratto – Ballroom
13. Lindstrom – I Feel Space (M.A.N.D.Y. Remix)
14. Daft Punk – The Prime Time Of Your Life (Para One Remix)

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“I ♥ Techno” April 26 by Adrian and Ariel Coto

April 26th, 2009 adrian No comments

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“Cheap Thrills Mixtape” Skitsnygg

“Say Whoa” A-Trak

“Yeyo” Bloody Beetroots

“Wheres Your Head at (Klaas Remix)” Basement Jaxx

“Sturzflug” Spillsbury

“Silver Screen Shower Scene” Felix Da Housecat

“The Fear (Jells Mayhem Remix)” Lily Allen

“San Francisco Dreaming” Global DJs vs. Benny Benassi

Techno to melt your face off.

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“Best Cover Songs Ever” April 26th by Justine Marzoni

April 26th, 2009 nick 1 comment

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“I Love You More” Boise Cover Band
“I Should Have Known Better” She & Him
“How Deep is your Love?” The Bird and the Bee
“Love Hurts (Live)” Jenny Lewis
“Star Man’ Seu Jorge
“Let’s Dance” M. Ward
“Trailer Trash” Iron Horse
“Bizarre Love Triangle” Frente
“Heartbeats” Jose Gonzalez

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Interview with Brett Dennen

April 25th, 2009 Kaitlin Perry No comments

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Brett Dennen, a peaceful musician from Oakdale, Calif., is doing more than his share to help the world become a better place. With projects like The Mosaic Project and Love Speaks under his belt, as well as his positive lyrics, Dennen promotes hope and happiness to fans worldwide.

Dennen graduated from UC Santa Cruz with a degree in community programming, which helped him to form the The Mosaic Project. The Mosaic Project is an organization that works to give kids hands-on skills to break down borders and barriers of discrimination by teaching them through music.

According to the website, brettdennen.net/mosaicproject, there is a song for every subject taught and each song is sung to students around a campfire. The CD includes “well-loved songs about empathy, diversity, conflict resolution and peace.”

“The program now is pretty rock solid,” Dennen said. “We’ve got our curriculum built in. Sometimes we’ll change the way we teach something and then I’ll write another song. It’s the most important thing you can do, to enrich the life of a child and be a role model or a mentor because obviously children are the future.”

Then there is Love Speaks, a program that is promoted via Dennen’s website and his live shows. Dennen describes it as a “trademark system where I use my music and money made from my music and connections with bands and concerts I’ve played as a way to connect people with non-profit organizations and charities that do good in the world.”

Alongside his peaceful projects, Dennen has his peaceful music. Dennen has three full-length albums, 2005′s “Brett Dennen”, 2006′s “So Much More” and the most recent 2008′s “Hope for the Hopeless.”

Dennen’s music is inspired by the state of the world and his songs contain various socio-political messages, which he hopes will inspire listeners

Many perceive the world to be in shambles these days, but rather than lose hope, Dennen sees possibility for change. “If things were perfect and we were living in a utopia maybe it would breed a sort of contentment. There’s beauty in tragedy. When things get really, really bad maybe we can start living again. It’s a really powerful time because there’s a lot of hopeful people and inspired people,” Dennen said.

Dennen will be playing a show at House of Blues tomorrow with support from Angus & Julia Stone. Attendees can see Love Speaks in action. The Life is Good Kids Foundation will be at the venue selling T-shirts. All proceeds will go to kids with disabilities, terminal illnesses and victims of child abuse.

Tickets for the all ages HOB show are $15.50 and, if you’ve been a longtime fan of Dennen and know his earlier material, some of which he doesn’t often play, check out his Twitter page to tell him which songs you’d love to see performed in the encore (twitter.com/brettdennen).

Interview with Girl Talk

April 25th, 2009 Kaitlin Perry No comments

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A few months back, rumors spread furiously about the potential transformation of the Jenny Craig Pavilion into a pulsating dance club. “Is Girl Talk really performing at our school?!” crazed fans of the mash-up genius would ask. “Yes!” I would tell them excitedly. Soon enough, the rumor, which was indeed true at the time of the questioning, proved itself to be false once Girl Talk cancelled.

Though Girl Talk, whose real name is Gregg Gillis, will not be playing at USD this semester, The Vista still got the chance to talk with him about how he got started and what it’s like to be surrounded by an abundance of intoxicated dancing fans onstage.

Gillis became interested in creating music around the age of 14 when he got into underground electronic music and discovered college radio. He was interested in musicians who didn’t need formal training and were more experimental than the mainstream.

“I was going to shows in Pittsburgh and saw weird new styles of electronic music,” Gillis said. “I grew up listening to hip hop and rap and was familiar with the art of sampling. In my high school band I started sampling pop, using radio songs and skipping CDs.”

Gillis, who went to school for biomedical engineering, never intended for music to be a career. “I operated within a very small subculture,” Gillis said. “My band in high school never played for more than 30 people. I looked up to other laptop artists that could draw 50 people [to their shows] in Pittsburgh or Cleveland.”

For anyone who has listened to any of Girl Talk’s four full-length albums, trying to comprehend how Gillis can combine hundreds of songs to create a 40 to 50 minute long mash-up session is nearly impossible.

“Most ideas [for albums] come from preparing for the live show,” Gillis said. With his last two releases, Gillis had performed the tracks live for a year and a half before creating each album. Though he doesn’t play his shows with the goal of creating an album in mind, he says that at some point he has enough material to take a step back and put it all together to form a full-length album.

With each new album comes a new onset of legal talk. Gillis doesn’t receive permission to sample the artists he samples. He simply takes components of their songs and puts them together to form a new work of art. How is he able to do this without being sued? Fair Use.

“Fair Use is a doctrine in the U.S. copyright law,” Gillis said. “It states that you can appropriate other people’s material without getting permission. It looks at how your work impacts potential sales.”

As long as Gillis’ work doesn’t create competition and remains transformative, meaning it has a level of commentary, Gillis will remain lawsuit-free.

“I believe that all art is based on re-contextualizing ideas from the past,” Gillis said. “My music isn’t taking sales away from someone. I’m not here to just present 300 songs.”

Thanks to the Fair Use doctrine, Girl Talk remains to be one of the most talked about and exciting new artists. One of the most intriguing aspects of Girl Talk are his live performances, at which fans bombard the stage and dance alongside Gillis as he works his laptop.

“That’s an exciting thing for me,” Gillis said. “It’s always the wild card. I just don’t know how it’s gonna go down. It adds an interesting visual component to the show. Sometimes it’s aggressive, chaotic and insane…The tour manager sits down with security and gives them a loose game plan.”

But the game plan varies depending on the venue. “A small more intimate venue can be a magical experience if everyone’s on the same page, if everyone’s hanging out.

The audience can feel like they’re in the band. You get lost in the moment. A festival can transcend the need for the intimacy.”

The major difference between small venues and music festivals is the process of getting fans onstage. At a small venue they can storm the stage on their own. At a festival, security prefers the fans to be recruited beforehand.

“I like to push for spontaneity,” Gillis said. “I don’t want it be some kind of VIP club.”

Outside of the stage situation, festivals are still something Gillis looks forward to. “You don’t get to do that everyday. Playing Lollapalooza last summer was one of my favorite shows. I had woken up two hours earlier and I wasn’t sure if people were gonna be fired up in the afternoon. I had a lot of friends there and it was a massive body. In that sort of environment it can be something entirely different than a club show. I felt like I had a legit draw…I felt like I had arrived on the festival scene.”

Girl Talk’s shows are what make him memorable. Thus the question still remains: why did Girl Talk cancel his scheduled USD appearance?

“I do as much as physically possible,” Gillis said. “I’m down for any type of show if the offer’s legit and there’s a fanbase there. I’m not really sure what happened with that.”

Associated Student’s concert director, Tom Nash, tells a different story:

“Our original agreement called for a barricade between him and the audience. Quentin from Public Safety absolutely required this to approve the show and we need Public Safety’s approval to do a show. Months later, after I started word of mouth marketing, Girl Talk decides he isn’t ‘comfortable with performing at USD’ because he thinks it isn’t going to be an authentic GT show.”

Nash also said that Gillis was concerned that the contract USD presented to him required him to play a Catholic-friendly show, though the real issue was the offensive language contained in some of the songs he samples.

Although Girl Talk supposedly dissed USD, he remains to be a musician with a large (and growing) fan base. He recently played Coachella and will continue to play festivals and shows throughout the summer.

Check out his tour schedule on his MySpace page at myspace.com/girltalk.

“Spicy Chef/Kruse Radio” April 20th by Tony Bredehoeft & Joe Kruse

April 25th, 2009 nick No comments

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“Islands on the Coast” Band of Horses
“Let’s Stay Together” Al Green
“A Place in Line” Appleseed Cast
“Blue Ridge Mountains” Fleet Foxes
“Big Sur” The Thrills
“Rockin Down By the Highway” The Doobie Brothers

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“Hip-Hop for the Daily Grind” April 20th by Drew Howard

April 25th, 2009 nick No comments

“Get it Right Now!”
“Stay Awake Like an Owl”
“Take Over”
“Blue Bird”
“Digital Dirt”
“Retro Dance”
“Passin Me By”
“Acid Raindrops”

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