August 23, 2011

Interview: G. Love at The House of Blues

G. Love, Photo Credit: thekey.xpn.org

The Evolution of G. Love: Justin Marini sits down with Garrett Dutton, better known as the venerable G. Love prior to his 4/8 performance at the House of Blues in downtown San Diego.

By: Justin Marini

When an artist creates an album that is a “departure” from their regular style, it is often a cause for concern for many fans. In the case of G. Love’s 11th record, “Fixin’ to Die,” I would encourage fans to dismiss that notion, and open their ears to what is sure to be one of the most dynamic and fresh sounds of 2011.

I was fortunate enough to sit down with Garret Dutton—aka G. Love—before seeing his April 8th show at the House of Blues.  While hints of hip hop are sparsely tossed into the album, it is clear to see that G. Love’s main inspirations on “Fixin’ to Die” come from the realm of blues, to the likes of Muddy Waters, John Hammond Jr., and Mississippi John Hurt.

“I want to return to my roots,” noted G. Love, who added that this was an album he has wanted to make for a very long time. With the help of his producers—the Avett Brothers–G’s dream became a reality. The “…old-fashioned work ethic…” of the Avett Brothers combined with G. Love’s strong talent and passion for blues makes “Fixin’ to Die” an album that stands out among a generation of increasingly dispassionate musicians.

Although “Fixin’ to Die” is a departure from the classic G. Love sound found on albums such as “Lemonade” or “Philadelphonic,” this is in no way a dismissal of the vintage G. Love sound fans have come to adore. “I want to challenge the audience with my shows,” noted G. Love, who continued by saying that the shows on this tour will be full circle, beginning with new music, integrating the old classics in the middle, and finishing strong with more of his new music.

G. Love, "Fixin' To Die"

G. Love’s show at the House of Blues did just that, beginning with blues jams that left most of the audience jaws on the floor. If that was not enough, as the San Diego local outfit Slightly Stoopid replaced the band Special Sauce on stage and joined G. Love for the middle of his set, the crowd went wild, enjoying classics including Slightly Stoopid’s “Mellow Mood” (with an awesome blues harmonica tossed into the mix). As the show concluded with several strong blues numbers, you could see the trance-like effect G. Love had instilled on the crowd at the House of Blues that night.

Leaving the show, it was a relief to discover that G. Love’s gravitation towards blues is not a rejection of his old hip-hop influenced sound. Instead, “Fixin’ to Die” showcases his evolution into a more versatile musician. When asked about the future of G. Love, he noted, “I want to stay in this direction.” In an effort to delve even deeper into his blues roots, G. Love noted that he yearns to create his own original blues sound based on the Mississippi Delta Blues in the future. All in all, G. Love’s commitment to original, passionate music paves a promising path for the future of blues, and music in general.

Fixin' to Die - G. Love

 

Top Ten Songs of 2010–Justin Marini

As we toast the memory of 2010 and ring in 2011, it would be foolish not to consider which songs made 2010 a special. I’d like to welcome everyone to the new section of the USDRadio.org known as “Favorites.” This will be a space for DJs to make top ten lists of some of their favorite genres, songs, albums, concerts…well, basically anything. This is an opportunity for our listeners to get a taste of what we all love over here at USD Radio. Below I have listed the ten songs that I believe made the music that came out of 2010 special. Enjoy!

Mumford & Sons, clashmusic.com

10. “Tighten Up” – The Black Keys – This is a far cry from what we have come to expect from the rockish-blues group, but I can’t help but love it. While “Tighten Up” may sound a little more mainstream to Black Keys fans, you cannot deny the raw guitar textures we have all come to love and expect from the Akron, OH based group.

9.“Nothin’ On You” – B.O.B. feat. Bruno Mars- Yes, “Nothin’ On You” was definitely one of the most overplayed songs of 2010, but who can’t love this song? The lyrics are definitely a little cliché, but they’re nevertheless irresistible.  The smooth rhymes of B.O.B. accompanied by vocal standout Bruno Mars make for a very distinctive sound. Besides, what would a wrap-up of a year in music be without one sappy love song?

8. “Only the Young” – Brandon Flowers- Okay so maybe Brandon Flowers as a solo artist will never carry anywhere near as much glory or hype as The Killers’ Hot Fuss ever did, but “Only the Young” shows a lot of promise. In a year that will probably be remembered best for the Gulf of Mexico oil spill, an earthquake in Haiti, obscene Arizona immigration laws, and Snooki, it is nice to hear an uplifting song with some depth every once in a while. “Only the Young” contains a message of reflection and redemption, giving hope to a generation of music that often lacks substance.

7. “Black and Yellow” – Wiz Khalifa- The Pittsburgh based rapper hit the scene with his breakout mixtape Kush and Orange Juice in April of 2010, and has seen tremendous success ever since.  “Black and Yellow” is the sort of song that at a first listen may not seem all that special, yet hours after hearing it for the first time, I found repeating “black and yellow, black and yellow…” like a mantra to myself, and came to love it.

6. “Not Afraid” – Eminem- Quite possibly the most controversial album of 2010, Recovery conjured up a wide range of emotions upon its release. While many found the album to be a positive breath of fresh air, others were critical of Recovery’s often-repetitive sound in what the Houston Chronicle referred to as “…a relentless, exhausting listen.” While that may be so, let’s give Em’ some credit. To me, “Not Afraid” is an indication of growth in Eminem as not only a rapper, but also as a person. While his message may not be as negative and he’s no longer on drugs, there is no question that the tight wound lyrical genius we have all come to love still thrives deep within “Not Afraid.”

5. “Down for the Count” – Girl Talk- One of the most overlooked albums of 2010, Girl Talk’s All Day may be his best release to date. The Pittsburgh based musician’s new song “Down for the Count” is an incredibly tight mash-up of sounds including (but not limited to) Eric Clapton, B.O.B., Usher, and even the late, great MJ. This is a track perfect for anytime you may need that extra jolt of motivation—in the gym, on your way to the bars, or just to kick start your day.

4. “Senior Skip Day” – Mac Miller- 2010 has been a great year for Pittsburgh based artists, and Mac Miller is no exception. While Mac Miller (aka Malcolm McCormick) did not see the same commercial success as fellow Rostrum Records standout Wiz Khalifa, his sound is nothing short of refreshing and new. “Senior Skip Day” is a glimpse into a day of sleeping in and enjoying the simple pleasures of doing nothing.  It is a subtle reminder that sometimes we need to let loose from the stresses of daily life and breathe easy. I have high hopes for this 18-year-old hip-hop prodigy in 2011. If you haven’t already, check this guy out!

3. “Laredo” – Band of Horses- The name Band of Horses has become synonymous with upbeat rock anthems, and “Laredo” does just this. I find this sound to be a mix of the upbeat vocals of The Magic Numbers (listen to “Forever Lost”) mixed with the classic sound of the Stone Temple Pilots (“Interstate Love Song”). I have yet to be disappointed by the Seattle based rock outfit, and have high hopes for these guys in 2011.

2. “F**k You” – Cee Lo Green- Picture this: your girlfriend has just dumped you for some jerk, a long list of homework which you have yet to attend to is waiting for you in the other room, and best of all, you’re broke. If this remotely describes you at any point in your life, then “F**k You” (I know, I wish I could just say it too) is the song for you. Albeit overplayed, Cee Lo Green takes the pent up frustration many of us face daily and puts an upbeat, soulful spin on it, sure to improve anyone’s mood!

1. “Little Lion Man” – Mumford & Sons- At the start of 2010, I never would have picked that an English folk-rock band would top my list. Of course, a year ago I doubt I would have imagined even publishing a top-ten list of songs for 2010. Mumford & Sons are not your average band. Rooted in the assertive yet enticing vocals of Marcus Mumford, it is the swirling sound that echoes out of instruments including the banjo, mandolin, and string bass (to name a few) that really ties together the unique sound of Mumford & Sons together. “Little Lion Man” says it all in one track. Lyrically addressing the self-loathing misery of pushing loved ones away, the positive air embedded in the instrumental backing suggests fixing the problems of your past and becoming a better man tomorrow. We could all find some truth in “Little Lion Man” as we ring in 2011.

Honorable Mentions:

“Every Day” – Girl Talk

“Stereo Love” – Edward Maya & Vika Jigulina

“Live Free” – Mac Miller

“Runaway” – Kanye West

I am looking for feedback on the “Favorites” section of USDRadio.org, so please don’t be shy. Maybe just go easy on me for my choices? Anyways, Happy New Year’s everyone!

—–Justin Marini

Music and Manliness: An Interview with Zach Gill of ALO

Source: alomusic.com

I had the opportunity to speak on the phone with Zach Gill, lead vocals and keyboard player among other instruments for the California based jam band Animal Liberation Orchestra (ALO). Along with drummer Dave Brogan, bassist Steve Adams, and guitarist Dan Leibowitz, the “rapturing funkateers” new release Man of the World hits stores Tuesday, February 9, 2010.

Zach discussed with me the maturity of ALO as a whole on this album. From their humble UC Santa Barbara roots to the band they are today, one can hear tremendous growth in the sound of this band. Now that members of the band have had time to settle down and form their own unique careers separately, ALO has reconvened to produce an album that Zach assures me is something not to be missed. Everyone has grown up, settled down, and started families. They have truly become men of the world.

Source: alomusic.com

Man of the World was recorded by the band all at once, all in the same room, providing a much more raw, live, and nostalgic sound. This method of recording produces a more authentic sound quality, the way music was recorded years ago. There are no separate recordings, voice enhancements, or use of any of the other multitude of devices many artists use today. This is real music. The final product is mind blowing: a more harmonic sound, where the band can actually hear each other and adapt to the unique dynamic that they create during a song.

ALO starts their West Coast “Tour D’Amour IV” with a free show at Fingerprints Record Store in Long Beach, CA on Wednesday, February 10, 2010 at 7:00 pm. Proceeds from the “Tour D’Amour” dates benefit both Haiti relief and the support of music education. You can also check out ALO live alongside Stripes & Lines in Solana Beach, CA at Belly Up this Thursday, February II, 2010 at 9:00 pm. This is a 21 + show, and we will be giving away a pair of tickets to the show this week. If you’d like to be entered in a raffle to win these tickets, please email [email protected]. We’ll email the winner on Thursday morning. This is a live show sure to appeal to a wide audience. In the words of alomusic.com, “It is the sound of a band living, creating, loving, and growing together. It is the sound of ALO.”

To hear the full interview, click here:

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For a full list of tour dates and more information, you can check out ALO at:

www.alomusic.com

www.myspace.com/alomusic

www.twitter.com/alomusic

The Middle East Reigns Supreme in Australia

The Middle East (Luckybuster.com)

The Middle East (Luckybuster.com)

A short silence, a whispering count, and then a swirling melancholy acoustic guitar lulls the listener into a state of painful reflection. This is the folk inspired sound that is Townsville, Australia’s brilliant new seven piece band The Middle East.

The debut release on Spunk Records Recordings of the Middle East- EP is not a band to be missed for any fans of Fleet Foxes, Sufjan Stevens, and Iron and Wine. The lonely, spaced out guitars of Jordan Ireland and Rohin Jones is pure brilliance. From start to finish, this five track EP shows promise for the emerging Folk-Indie scene.

While the music alone is enough for any fan of quieter sounds is enticing enough, it is the artfully crafted lyrics that raise up skeletons of sorrow left idly in the deepest reaches of one’s mind. The opening track “The Darkest Side” notes, “When I lose I find my identity.” This seems to be the fuel for The Middle East, that there is a great deal of hope found in painful experiences in life.

I recommend The Middle East to anyone and everyone searching for a sound not yet found in music. Though they are just starting up, there is hope yet for 21st century folk. Unfortunately, it seems as if The Middle East is touring extensively in Australia for the time being, but be sure to look out for an American tour in the near future.

Album Review: The Avett Brothers Mellow Return

The Avett Brothers, allknowingforce.com

The Avett Brothers, allknowingforce.com

Every so often, a band comes along that seems to pour its heart and soul into every track. The Avett Brothers seem to be one of those bands.

From the first pained piano chords of the title track off of The Avett Brothers newly released EP I and Love and You, the listener is placed into a state of sorrow. By the time the soothing caress of the cello enters, the listener is swept away, placed into a state of of sorrow and hope simultaneously.


The North Carolina group seems to show a softer side on this album, and this is saying something. Prior to I and Love and You, The Avett Brothers had over fourteen songs with the name “pretty girl” in the title. While at times the songs might sound slightly sappy, it is crucial that the listener slowly considers the complexity of the songs. From a steady bass to slow banjo strumming, a relaxed guitar, and a quiet drum that seems to tie it all together, there are a lot going on in these tracks.


Beyond the actual tune, quite possibly the most unique facet of The Avett Brothers are their lyrics. This album seems to intensify their lyrics while slowly down their tempos. The track “Laundry Room” describes love in quite a unique way stating, “I woke with a head full of songs/I spent the whole day/I wrote ‘em down but its a shame/Tonight i’ll burn the lyrics, ‘cause every chorus was your name.” This expressive way of stating a deep infatuation shows the unique creativity of Seth Avett.


Critics of this album might say that The Avett Brothers are leaving their unique style behind for a more mainstream sound, I beg to argue the exact opposite. While perhaps some of the tunes might at time sound generic, the beautiful tangents of guitar picking and banjo lines will comfort any fan of the classic Avett Brothers sound.


The Avett Brothers begin an extensive tour of the East Coast and the Midwest starting October 29, 2009. Be sure to look out for The Avett Brothers to head out to the West Coast this spring. More information can be found at www.theavettbrothers.com .

Different Peaks, New Horizons for The Mountain Goats

The Mountain Goats, 2009, 4AD

The Mountain Goats, 2009, 4AD

Despite having twelve tracks named after Bible verses, The Mountain Goats’ third album The Life of the World to Come is a far cry from Christian rock.


Lead vocalist John Darnielle carries The Mountain Goats into new horizons, trading in his trademark scratchy vocals (imagine a cross between Bob Dylan and Benjamin Gibbard of Death Cab for Cutie) for a more refined (dare I say generic?) melodic voice. It seems as if songs like “This Year” and “Cotton,” are a thing of the past, yet, fans of the “old” Mountain Goats, do not fret, you will be pleasantly surprised.


Accompanied by a very mellow guitar, Darnielle’s lyrics take biblical passages’ themes, and make them incredibly dark, yet hopeful at the same time. The track “Matthew 25:21” includes a plane crash, a truck crash, and a case of cancer, yet  the song tries to redeem itself saying, “I won’t get better/But someday I’ll be free/Cause I am not this body that imprisons me.” Awfully morbid yet, strangely hopeful to say the least.


This is not the typical album one might toss in the CD player for serene sunny Sunday afternoon in San Diego, yet there is a strange comfort found in the steady strumming of the acoustic guitar. A staple of The Mountain Goats, which keeps the songs going, and ultimately seems to sooth anyone who can get past the lyrics. The tone of The Life of the World to Come seems like that of a lonely drive right after dusk, yet the album simultaneously hits the listener with a shot of hope.


Fans of The Mountain Goats’ The Life of the World to Come, check out Sondre Lerche’s  album Two Way Monologues or anything by Sufjan Stevens or As Tall as Lions.


The Mountain Goats begin their US tour on November 4th. Be sure to check them out at www.mountain-goats.com.

“Zach Gill’s Stuff” Zach Gills album review

Zach Gill (2008) Brushfire Records

Zach Gill (2008) Brushfire Records

From the moment the opening piano notes of “Family” begin to play, the listener is taken away from their surroundings, and back to a simpler time, when legos ruled and bedtime was 9:00 pm.

Zach Gill’s Stuff, the debut solo project of Animal Liberation Orchestra’s lead vocalist Zach Gill, is sure to please any fans of upbeat melodies and smooth vocals. Songs that stand out in particular are “Family” for its upbeat, positive message, and “Back in the Day” for its nostalgic easy going lyrics accompanied by a very smooth banjo progression.

This album seems constructed for someone in a very relaxed mood, possibly heading to the beach, something the Santa Barbara, California native is most assuredly familiar with. The lyrics are positive and hopeful, bringing people back to their childhood, when complication was not even a word in their vocabulary. “Back in the Day” comforts the listener by saying, “You know the world keeps getting stranger/But I still feel the same/I love you now like I loved you then back in the day.”

The major issue with Zach Gill’s Stuff is its repetitive melodies, a major problem the entire Brushfire Records label is familiar with. Any fan of Jack Johnson’s On and On or Donavon Frankenreiter’s Move By Yourself are sure to be immediately impressed, yet for us fans of variety, it is easy to get tired of this album. There are only so many times one can hear the same melody slightly altered. My advice is to conserve how much you listen to Zach Gill, but listen closely to the words when you do. You will not be disappointed.

Fans of this album, be on the lookout for Animal Liberation Orchestra’s next album, in the recording phases now and due out March of 2010.

Check out Zach Gill at www.zachgill.com for more information and tour dates.