August 21, 2011

“My Beautiful Dark Twisted Fantasy” Album Review

When mountain climbing, don't forget to bring your $300K chain and microphone

When I was three, I took a black piece of construction paper, drew a line down the middle with a white crayon and told my teacher I was finished with my art project. Fifteen years later, I saw the same piece of art, by a different artist, for sale in a Seattle art gallery for $15,000. The artist’s early works are entirely different from his current stuff. Instead of trendy modern pieces like the white-on-black I described, his first pieces are beautiful landscapes that are much more intricate than his current fare.

Now let’s talk about Kanye West.

Just a few years ago, Kanye was new on the scene with hits like “Through the Wire” and “Jesus Walks”. He rocked pink polos. He drank Cristal. He was a rapper.

Now, he shows up at the VMA’s wearing a $300,000 chain shaped like Horus with a matching pyramid style knuckle-ring. He wears a crown of thorns on the cover of Rolling Stone. There’s an entire episode of South Park dedicated to his douche-baggery.

So, how does his latest album “My Beautiful Dark Twisted Fantasy” fit into all of this? Well, in cases like these, it usually helps to check out the first track. “Dark Fantasy” sure as hell ain’t your typical rap. Sure, Ye talks about his “Murcielago”, his “bravado”, and “Chi-town where the Nines flow” but the hook sounds like a guest contribution from Queen with its epic chanting sound. In that regard, “Dark Fantasy” does a good job of setting up the rest of the album, which on the whole is pretty epic.

It’s undeniable that West’s increased celebrity has given him tons of pull when it comes to guest appearances but unlike his debut album “The College Dropout” in which guests were limited to hip-hop artists like Ludacris and Talib Kweli, “MBDTF” showcases the talents of artists from many genres. Among the stars: John Legend and Bon Iver. The third single from the album, which Ye described – in typical big-ego fashion -as being “completely seamless and completely ghetto as f***” has contributions from Rihanna, Alicia Keys, Elton John, Fergie, John Legend, The Dream, Tony Williams, Kid Cudi, Charlie Wilson, Ryan Leslie, and La Roux’s Elly Jackson. Keep in mind, all those people are on just one track out of the album’s thirteen.

West gets the album’s singles out of the way early with “Power”, “Monster” and “All Of the Lights” coming within the first six tracks. For those searching for the Kanye of old, look no further than these three cuts. With their rap guests and catchy hooks, they typify the sound that made Kanye famous. However, the meat of the album comes from cross-genre tracks like “Runaway” and “Lost in the World” which serve to induce much head scratching as opposed to foot-tapping.

Just like that artist I encountered in Seattle, Kanye has become famous enough to do basically whatever he wants in regards to his music. “My Beautiful Dark Twisted Fantasy” is definitely a departure from what hip-hop fans have come to expect from well-known rappers but maybe that’s a good thing. As a recorder and producer, West has been known to push the envelope more than others. Let’s let him do his thing and see what he comes up with. If we don’t like it, we can always turn off the “Power”.

A Review of Gil Scott-Heron’s “I’m New Here”

Gil Scott-Heron's album "I'm New Here" was released February 8th.

Gil Scott-Heron, by way of his new album, successfully gets his listeners to understand right off the bat that he has been around the block a few times; he has seen things that have hardened him, he is worn out, but he ain’t going nowhere. His new album I’m New Here, released Feb. 8, is something of an ingenious verbal oil spill, raw, messy, moody and poetic. The entire album, only 28 minutes in length, alternates between music and lyrics, dramatic interludes and, essentially, the recited monologues and deep, dark laments of Scott-Heron. He provides his listeners with quite the eclectic mix, as the album is a compilation of casual chatting, occasional singing, frequent laughter, heavy poetry, sincere praise and thanks and, at times, even some intense and questionable mumbling.

Scott-Heron lays down a mean track to start the mood off right, in his introduction, “On Coming From a Broken Home (Part 1),” sampling Kanye West’s “Flashing Lights.” Yet, while using the same background music, Scott-Heron chooses to touch upon slightly heavier subject matters than that of dear Mr. West, speaking of what he believes has made him a real man, instead of his life’s trials and tribulations . FYI, while listening to this one, don’t be surprised if you begin to feel like a wide-eyed grandchild at the foot of a rocking chair, listening to the reflections and accounts of good ol’ grandpa.

Yeah, sure, he laments and speaks of his struggles, but Heron also offers some pretty useful advice on this album, like to love your parents; they are wise, so treat them right. Thank you, Scott-Heron. Although he is calloused and raw in his delivery, the album in its entirety is pretty heartfelt and eloquent at its core. A favorite track on the album, “Me And The Devil,” has an urban flare and a soulful sound in the way that it mixes instrumental reverberations, a consistent rhythmic clapping to keep the beat and a real steady flow. This raspy success comes to an abrupt halt with one hard slam on the ivory keys.

He finishes strong with a follow up of his opening, “On Coming From a Broken Home (Part 2),” another Scott-Heron soliloquy, spoken over that same background music. Thank you, Gil Scott-Heron, for your honesty, your raw monologues and for telling us how to treat our parents right. But, a special thanks goes out to you Kanye, for being a good sport and letting Gil Scott-Heron finish what it is he set out to do. Bravo.

- Sarah Pacitti

Gil Scott-Heron

“On Coming From a Broken Home (Part 1)

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“Me and the Devil”

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“On Coming From a Broken Home (Part 2)”

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Kanye West/Lady Gaga “Fame Kills” Tour

kanye-lady-gaga

Information travels fast in this day and age of technological advancements and improvements in communication. As I was checking my Twitter account, I happened to find under the Rolling Stone Twitter page the announcement that Kanye West/Lady Gaga had pulled the plug on their much anticipated “Fame Kills” tour. The one page article on Rolling Stone’s website didn’t indicate a concrete explanation for the cancellation, but it can be assumed that the added pressure and attention on Kanye, due to his now infamous interruption of Taylor Swift in this past month’s MTV Music Awards, was one of the main reasons. The “Fame Kills” tour was supposed to come down to San Diego on Nov. 11th at the San Diego Sports Arena. Although the article failed to mention when ticket refunds would be available, I’m hoping that it will be fairly soon so myself and the rest of the public can recoup their money.

A Review of Kanye West’s “Late Registration”

KanyeWest_LateRegistration_cover

Knock, knock. Who's there? Kanye. Kanye who? Kanye West. The registration table is on your right Mr. West.

Even with the aid of a dictionary, it would simply be impossible to describe Kanye West with a single word or phrase. We’ve often debated amongst ourselves whether we truly love or hate him, depending entirely if you embrace his skills and talents as a producer/emcee or if you have been overly frustrated with his child-like tantrums he has occasionally thrown at award shows. Since he’s crossed over from producer to record selling artist, Kanye has made himself into a commodity in reference to his own music and fashion sense, as seen with him being labeled as the “Louis Vuitton Don”. He has always been honest with his upbringing as a middle-class child growing up in Chicago and that part of his life has never needed to be altered just to gain street credibility.

Late Registration is another addition to the mighty staple of dominance that Kanye has had over the hip-hop industry and has become my favorite album out of College Dropout and Graduation. It not only has a surplus of  guest appearances highlighted by Jay-Z and Nas but the beats he creates are so brilliant and noteworthy. Every track Kanye lays his hands on is similar to that of Michelangelo and his work on the Sistine Chapel. Although, he would rather be known for rapping than producing, I believe that Kanye belongs in the same category as DJ Premier, Dr. Dre, Pete Rock, J Dilla, and 9th Wonder as one of the best producers of our generation. The material on every album he has released has never been stricken with boundaries and Kanye has never been afraid of speaking his mind especially about the Bush Administration and Hurricane Katrina.

My favorite tracks include: “Touch the Sky”, “Hey Mama”, and “Crack Music”. He has certainly learned how to differentiate himself from the conventional emcee and I have always appreciated the content he’s put forth into each and every one of his albums. He is a perfectionist and that mentality is seen through the passion and fire that he uses to conduct himself every time he enters the recording studio, a sure sign that he will continue making albums that will be mentioned in the same breath as Illmatic and Reasonable Doubt. Music is a craft that only a chosen group of people can really develop and make their own, an art form that Kanye has solidified and single-handedly reformed.

When I first listened to “Jesus Walks”, I was amazed to see religion being used as the forefront in any musical capacity. I never quite knew who Kanye was or what he did to gain so much attention until I listened to Jay-Z’s The Blueprint and The Black Album. I then realized that he was the mastermind behind “Izzo (H.O.V.A.)” and “Encore”. However, watching interviews of Kanye in the past few years have given me a different impression about him, especially the way he handled himself during the 2006  European MTV Awards. However, the negativity that he’s faced never seems to faze him, something I must give him much respect and admiration for.

He has definitely become a connoisseur of not only hip-hop/rap but with R & B (808s & Heartbreak) as well and will continue to dazzle critics and listeners with his charm but most importantly, his voice.

“Touch the Sky”

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