August 27, 2011

Album Review: Reflection Eternal- “Revolutions Per Minute”

Talib Kweli and DJ Hi-Tek have reunited as Reflection Eternal.

The last time Brooklyn MC Talib Kweli and Cincinnati DJ Hi-Tek partnered under the Reflection Eternal moniker, it was back in 2000 with their critically acclaimed album, Train of Thought. It captured the essence of hip hop as Kweli and Tek sketched their lives as artists and young men. Train of Thought combined Kweli’s high-caliber rhymes and poetical intuition with Tek’s deeply layered beats to create a classic.

Kweli and Tek have done fairly well outside of their affliation as Reflection Eternal, with Kweli releasing three LPs since 2002 (Quality, The Beautiful Struggle and Eardrum) and Tek with his Hi-Teknology trilogy. However, both of them have reconnected on various projects, including Tek producing “More or Less” on Eardum and Kweli making numerous appearances on the Hi-Teknology series. It was only a matter of time before Kweli and Tek collaborated again as Reflection Eternal.

Ta-Da! Without further ado, Talib Kweli and Hi-Tek present: Revolutions Per Minute. Although Reflection Eternal became the oldest sophomores in hip-hop history with their latest release, the chemistry between Kweli and Tek has not wavered and has steadily become stronger. While Train of Thought enlisted beat production that incorporated pulsating drums and blaring horns, the beginning of “City Playgrounds” reverses that approach with a much more low-key sound, allowing Kweli to be heard loud and clear. In “Back Again” (featuring RES), the pace increases dramatically and focuses on their triumphant return to music. With “Strangers (Paranoid)” (featuring Bun B), capitalism, the health care system and government spying are issues fired upon by Kweli and former UGK member, Bun B.

There are several standout tracks on the album, such as “In This World,” “Ballad of Black Gold” and “Just Begun.” With “In This World,” Tek concocts a marching beat for Kweli, who rhymes about the effect poverty has had on black people as well as shedding light on how hard work and diligence led him to a successful career in hip-hop. In “Ballad of Black Gold,” Kweli sounds off on the oil industry and the effect it has had on the Middle East and Nigeria. Then there is “Just Begun”, a track that encompasses three incredible lyricists: Jay Electronica, J Cole and Mos Def. An intermittent generational gap is forged between Talib Kweli and Mos Def with Jay Electronica and J Cole.

Even though Revolutions Per Minute integrates more hip hop and pop together to appeal to a larger demographic more so than Train of Thought, Kweli and Tek showcase their fortitude and virtuosity by delivering another record imbued with social and political overtones.

Although the hip-hop industry has evolved immensely over the last decade, Reflection Eternal has maintained the fundamentals of hip-hop with their consistency and devoutness to musical integrity. Talib Kweli and DJ Hi-Tek have proven that even a lengthy hiatus will not deter their spirits nor infatuation with music.

In This World

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Ballad of Black Gold

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Just Begun

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A Review of B.o.B’s “B.o.B Presents: The Adventures of Bobby Ray”

With great power, comes great responsibility.

The state of hip hop in 2006 was in complete disarray, especially when Nas professed that “Hip Hop Is Dead.” The phrase became a musical SOS for a new generation of emcees to arrive and make their own mark in the hip hop industry. The golden age of the late ‘80s and early to mid-‘90s was long forgotten as artists entered the new millennium with a mindset focused on wealth and materialism as opposed to lyricism and content. The artistry and creativity of those who placed their heart and soul into their craft were becoming a dime a dozen as hip hop shifted its priorities. It became quite transparent that the demand for club bangers were in vogue while everything else seemed insignificant.

Bang! Enter 2010. The industry has undergone an incredible makeover over the past four years. It started off with Lupe Fiasco, and the pool of talented yet grounded rappers have continued to alter the landscape for the betterment of hip hop. The newest emcee that has captured the recognition and adulation from the entire hip hop community is B.o.B. B.o.B. is regarded as one of the most adroit and versatile artists with an ability to perform numerous instruments such as piano, guitar and drums, along with his signature rapping and singing. He has amassed comparisons to Andre 3000 of Outkast, considered one of the most prolific rappers to ever bless the microphone.

B.o.B first gained notoriety when he was featured on T.I.’s 2008 Grammy Award-Winning album Paper Trails on the track “On Top of the World.” As a result of the success and attention that was garnered, B.o.B began releasing several mixtapes and singles, which included “I’ll Be In The Sky.” This spurred widespread anticipation for B.o.B to release his debut album with all the buzz and accolades that Kid Cudi and Asher Roth had accumulated with their respective albums.

The Adventures of Bobby Ray cannot be solely examined as a hip hop album, as B.o.B has fused together the genres of hip hop, pop and alternative. His guest appearances range from the most respected rappers in the game (Eminem, T.I. and Lupe Fiasco) to the leading men and women of alternative rock (Rivers Cuomo, lead singer of Weezer, and Hayley Williams, lead singer of Paramore). The entire album is produced by B.o.B and every track is fitted accordingly to each individual artist, with B.o.B having the proclivity to adapt to practically any style.

With “Nothin On You” (featuring Bruno Mars) bellowing from radio stations across the country and abroad, B.o.B has already established himself as a household name early in his career. The standout tracks on the album include “Airplanes, Pt. II,” “Ghost In the Machine,” and “The Kids”. In “Airplanes, Pt. II” (featuring Hayley Williams & Eminem), B.o.B and Eminem lay verses imagining what their lives would entail if they never decided to choose rap as a profession. On “Ghost In The Machine,” B.o.B harmonizes as someone lost in the crowd without any sense of direction and, in the end, embarks on a journey to escape the reality that has contributed to his inner struggles. “The Kids” (featuring Janelle Monae) is a rendition of Vampire Weekend’s “The Kids Don’t Stand A Chance,” a social commentary centered around kids falling into the cracks of society that does not evoke a feeling of preachiness.

The superhero persona that B.o.B has seemingly embraced has enabled the one-time Subway employee to reach for the stars and chase his dreams.

Airplanes, Pt. II

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Ghost In The Machine

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The Kids

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Lupe Fiasco w/ Shiny Toy Guns May 9th Preview

Lupe: Welcome to San Diego!

Chicago is a typical American metropolis consumed with the hustle and bustle attitudes associated with the everyday lives of its citizens, as compared to the calm and relaxing demeanor procured by Californians. Known as the “windy city”, Chicago has created its own sense of identity and belonging with a culture enamored through the ideals of individuality and inventiveness. It also has become one of the foremost breeding grounds for musical talent, especially in the realm of hip hop.

Chicagoans pride themselves in their unwavering passion and motivation in attaining their goals. These attributes are directly related to artists who are imbedded in their work until they are satisfied with the finished product. Chicago has become home to some of the most renowned emcees that have found solace and inspiration in the very neighborhoods they grew up in. Considered as one of Chicago’s prodigal sons and a “breath of fresh air” according to Jay-Z, Lupe Fiasco has emerged as a voice of reason in turning hip hop back into a genre focused on lyricism and content.

Along with fellow hip hop heavyweights, Kanye West and Common, Lupe has placed his stamp on hip hop with a style and bravado that can be compared to Q-Tip, one of the founding members of the legendary hip hop group, A Tribe Called Quest. Lupe released his first album, Lupe Fiasco’s Food & Liquor in 2006 with the single, “Kick, Push”. A track that centered on a love story between two skateboarders. The album was met with much fanfare and praise by both fans and critics and opened up Fiasco to the hip hop world. His second album, Lupe Fiasco’s The Cool, was released in 2007 and showed a different outlook on Lupe. It incorporated a darker side of him, which was contributed with the death of his father and legal controversy surrounding his business partner, Charles “Chilly” Patton. This was evident in tracks such as “Intruder Alert” and “Dumb It Down”.

This year has seen Lupe drop several freestyles, including “Turnt Up” and “Say Something”, which were apart of his mxitape, “Enemy of the State: A Love Story. He is slated to release his third and final album, Lasers, in mid-late May of this year. He has recently been on the road with hip hop sensation, B.o.B., on his Steppin’ Lasers tour.

USD has been fortunate enough in convincing Lupe to perform on Sunday, May 9th in the JCP Sports Auditorium with opening act, Shiny Toy Guns. If you haven’t already bought tickets for the concert, they are available at the box office for $15.

“Kick, Push” (Lupe Fiasco’s Food & Liquor)

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“Dumb It Down” (Lupe Fiasco’s The Cool)

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Album Review: A Review of Theophilus London’s “This Charming Mixtape”

Ladies and gentleman, say cheese!

The head nodding of instant approval, as well as a sense of disbelief, does not even come close in describing the sort of feeling I experienced after listening to This Charming Mixtape. Theophilus London takes advantage of his opportunity to be center stage and utilizes everything he has in his arsenal to deliver a mixtape that is both spellbinding and eclectic. The mixtape combines the elements of eletro-pop and hip hop/rap together to produce something that will knock you out of your comfort zone and introduce you to a newly formed genre. From top to bottom, this entire mixtape takes you on a journey that you will undoubtedly enjoy once the ride is over with a multitude of upbeat and colorful beats together with the rhymes protruding from the archetype of individuality and diversity.

The roots of Theophilus London stem from NYC, within the state that has been home to the most abundant and influential acts in hip hop. His decision to stray from the mainstream avenue and open himself to a different outlet has paid dividends. There are few emcees who have delved into such a scenario as this and been successful. This Charming Mixtape not only reveals that Theophilus London is beginning to craft himself as a household name, but also that he’s already more than willing to take risks.

The appeal and popularity of music that was witnessed in the ’80s seems to be returning with a vengeance. This Charming Mixtape proves that eras that have come and gone will never have a final resting place in our minds. The generation that I have grown up with would never in their wildest dreams have thought that the sights and sounds of their childhood would be generated into music, let alone be encompassed within the vastness and richness of hip hop. There were some instances when a smile would appear on my face and I begin to chuckle every time I heard something familiar, like “You’re The One,” a track reminiscent of the storied video game Super Mario.

The various samples that are adopted in the mixtape originated from music that was well-recognized in the ’80s, including “Ain’t No Sunshine” by Bill Whither. The smooth delivery of his rhymes hand in hand with such a classic has allowed the former to become more evolved and more dynamic. Although offered as a snippet on This Charming Mixtape, “Humdrum Town” is a track that is both profound and personal. It tells the tale of Theophilus London, who yearns to live in a city devoid of all the fame and glory he’s recently attained and have it be more mundane in order to appreciate what he truly loves. The growing awareness of this track has enabled it to garner much interest by listeners who’ve ventured onto the Green Label Sound website and YouTube.

What else can I say about Theophilus London? He’s an anomaly that I’ve yet to fully analyze, let alone comprehend. However, This Charming Mixtape has enabled me to expand my horizons and engage myself with artists like Theophilus London who have turned the hands of time and taken the next step in revolutionizing music.

Theophilus London

Theophilus’ MySpace

“Humdrum Town”

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Lady Gaga & Kid Cudi: “Monster Fame” Tour

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Although everyone of us are preparing now for finals, the once cancelled “Fame Kills” Tour, now renamed “Monster Fame” Tour with Lady Gaga and newly appointed wingman, Kid Cudi, is arriving in San Diego on December 19th at the Sports Arena. Even though all of us are set to become bookworms and establish a second home in the library, hopefully some of us who haven’t already been brain fried and exhausted by the constant hours of studying will be able to attend this star-studded concert. Lady Gaga has captured the attention of the music industry not only with her voice but also with her sex appeal and personality. Kid Cudi is relatively new to the game of hip-hop but his album, “Man on the Moon”, is one of the best albums of 2009 that I’ve heard thus far, topping Jay-Z’s “Blueprint 3″ and 50 Cent’s “Before I Self Destruct”.

Associated Students: Milkman & Sean Kingston

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Local San Diegan and DJ phenomenon, Milkman, provided one of the best concerts that the University of San Diego has witnessed in its 50 year history. The throng of students who arrived for his set were moving back and forth with their hands up in the air throughout the entire time. A group of girls were actually able to get up on stage with Milkman in the middle of one of his sets. Although he was penciled in as the opening act for Sean Kingston, Milkman’s show was full of energy and excitement, something that Sean Kingston couldn’t match with his pedigree.

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The headliner of the night belonged to Sean Kingston. His presence alone brought together more than 1,000 students in front of the University Center (UC). Even though he was supposed to perform at 8, many students were more than willing to wait for an enternity. However, it seemed to me that Sean Kingston wasn’t putting his utmost effort into his concert, a factor that could be contributed to a time constraint because of his scheduled 10pm concert at the San Diego Sports Arena. Although some students were disappointed to see that he was lip syncing on several of his songs, the majority of the student body were nonetheless enjoying themselves to “Fire Burning” and “Beautiful Girls”.

Interview with The Knee Highs

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Today I had the pleasure of listening and speaking to “The Knee Highs”, a dope hip-hop group from sunny San Diego. Comprised of DJ Gar Gar, Will Billiams, Johnny Rooks, and Talls, “The Knee Highs” are able to combine different musical genres: hip-hop, jazz, rock into their own unique sound. Will Billiams, Johnny Rooks, and DJ Gar Gar, and Talls met while they were in high school. They first got started when Will Billiams and Johnny Rooks would write down rhymes to instrumentals they heard. They have played all around San Diego including San Diego State, University of San Diego, and other local venues. The issues in the interview ranged from learning about the meaning of “The Knee Highs” to artists that individually influenced them to their perspectives about the hip-hop scene in San Diego.

I would compare “The Knee Highs” to Jurassic 5 and Strange Fruit Project, so if you like either or both of those acts, you’re bound to enjoy what the “The Knee Highs” have to offer. Check them out on MySpace: http://www.myspace.com/thekneehighs. I would highly recommend listening to “America’s Finest”, a tribute to the greatest city in the world: San Diego.

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Kanye West/Lady Gaga “Fame Kills” Tour

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Information travels fast in this day and age of technological advancements and improvements in communication. As I was checking my Twitter account, I happened to find under the Rolling Stone Twitter page the announcement that Kanye West/Lady Gaga had pulled the plug on their much anticipated “Fame Kills” tour. The one page article on Rolling Stone’s website didn’t indicate a concrete explanation for the cancellation, but it can be assumed that the added pressure and attention on Kanye, due to his now infamous interruption of Taylor Swift in this past month’s MTV Music Awards, was one of the main reasons. The “Fame Kills” tour was supposed to come down to San Diego on Nov. 11th at the San Diego Sports Arena. Although the article failed to mention when ticket refunds would be available, I’m hoping that it will be fairly soon so myself and the rest of the public can recoup their money.

A Review of Jay-Z’s “Blueprint 3″

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Blueprint 3 bids adieu to the Blueprint series that Jay-Z first erected back in 2001.

Considered one of the most anticipated albums of 2009, Jay-Z’s 11th studio release, Blueprint 3, fails to live up to expectations and satisfy the growing hunger for a return to the framework that made both Blueprint and Reasonable Doubt successful. For the past decade, the Blueprint brand has been Jay-Z’s trademark in dictating the agenda and direction of hip hop. However, the beloved son from Brooklyn’s Marcy Projects, whom we’ve come to admire for his journey from the New York underworld to his ascension as one of the greatest emcees of all time, seems to have reached an impasse in his career.

The first half of the LP starts off strongly, giving the indication that Jay-Z has finally returned to form, reminiscent in the first 2 Blueprint albums and is ready to assert his dominance once again over the industry. In “Thank You”, Jay-Z uses his wealth and demeanor as a means of silencing and deconstructing his emcee rivals and detractors, who have argued that he is no longer worthy of being known as hip-hop’s vanguard. “D.O.A.” is seen as a verbal diatribe against hip hop and its continued dependence of the auto-tuner. Jay-Z laments that the auto-tuner is ruining the quality of music being released and should not have a place in hip hop anymore. The crown jewel of the album belongs to “Empire State of Mind”, a wonderful and elegantl song displaying Jay-Z’s love and appreciation for the city of New York. It features vocals from renowned R & B singer, Alicia Keys, whose voice on the chorus enhances Jay-Z’s message.

In contrast, the second half of the LP seems to brandish an entirely new train of thought, a concept that seems to have backfired badly on Jay-Z. The beat production and guest appearances are the primary culprits. The previous two Blueprint albums employed cuts from Dr. Dre, Kanye West, Timbaland, and Just Blaze. Although Kanye and Timbaland reappear on Blueprint 3, Jay-Z also gives the responsibility of creating beats to Swizz Beatz and The Neptunes, who seemingly have lost their touch behind the boards. On Blueprint, the most notable guest appearance belonged to Eminem on the song, “Renegade”. Yet this time around, Jay-Z decided to feature two up and coming emcees, Drake and Kid Cudi, who are severely underused, being relegated to hook duty on “Off That” and “Already Home”, respectively.

Many artists like to expand upon their craft and delve into something that is completely different than what they are accustomed to. Nevertheless, someone who has reaped millions of dollars and has sold out at every concert he’s ever performed at, shouldn’t even need to put out an album with the sole intention of making money. Jay-Z has accomplished so much in his storied career that a Blueprint album that does not carry the same intensity and energy prevalent in the past two Blueprint albums, just simply isn’t Jay-Z’s M.O.

“Thank You”

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Back to School Special “Lyrical Mindstate” August 29th

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“If Rap Gets Jealous” K’naan

“Go Go Gadget Flow” Lupe Fiasco

“If You Only Knew” Jurassic 5

“Doin’ My Thang” Zion I

“The E.N.D.” The Pharcyde

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With the entire week dedicated to Street Scene, I thought it’d be fitting to ease you back into school with a playlist of some tracks you’re bound to enjoy.